Over the course of two decades, John Hargrove worked with 20 different whales on two continents and at two of SeaWorld's U.S. facilities. For Hargrove, becoming an orca trainer fulfilled a childhood dream. However, as his experience with the whales deepened, Hargrove came to doubt that their needs could ever be met in captivity. When two fellow trainers were killed by orcas in ...(展开全部)

Over the course of two decades, John Hargrove worked with 20 different whales on two continents and at two of SeaWorld's U.S. facilities. For Hargrove, becoming an orca trainer fulfilled a childhood dream. However, as his experience with the whales deepened, Hargrove came to doubt that their needs could ever be met in captivity. When two fellow trainers were killed by orcas in ...(展开全部)

It is often forgotten just how provocative and unsettling impressionist canvases seemed when they were first exhibited in 1874. Critics, professional artists, and gallery visitors alike were shocked to encounter the unorthodox paintings on display, with their seemingly unfinished surfaces and lack of any elements of traditional composition. The advocates of this new approach re...(展开全部)

This 2-volume monograph covers the full scope of Impressionist painting. It outlines the history of Impressionism in France, addressing not only the work of the acknowledged masters, but also that of such unjustly neglected artists as Frédéric Bazille, Gustave Caillebotte, Berthe Morisot or Lucien Pissarro. The second volume examines the Impressionist movements that emerged in ...(展开全部)

The Impressionists were scorned by the establishment during their lifetime, yet they are now among the most popular artists of all time. This volume includes the work of some of the best known, including Monet, Pissarro, Manet, Degas, Sisley, Cezanne, Renoir, and Van Gogh. The text touches on painting techniques, light, subject matter and photography. This series acts as an int...(展开全部)

[德]丹尼尔·文登森（Daniel Wildenstein） 艺术家，美术学院（巴黎）成员。1939年以前，他曾任纽约威尔顿斯坦画廊、伦敦威尔顿斯坦画廊、东京威尔顿斯坦画廊总监；他还曾在多种国际杂志任职编辑，1956年至1962年期间担任《艺术》杂志编辑，1963年以后担任《美术公报》编辑；1970年，他和其他人联合创办了威尔顿斯坦基金会（1984年更名为威尔顿斯坦学院）；他曾发起多个享有国际声誉的展览，并曾编辑关于18世纪、19世纪、20世纪艺术家的完整图录。他是世界范围内印象派研究领域的权威，曾经出版关于高更、马奈、莫奈的作品图录。

The pulse of great cities may be most palpable above ground, but it is below the busy streets where we can observe their rich archaeological history and the infrastructure that keeps them running. In Beneath the Metropolis journalist Alex Marshall investigates how geological features, archaeological remnants of past civilizations, and layered networks transporting water, electr...(展开全部)

作者：克里斯提昂．賈克，一九四七年生於法國巴黎。畢業於巴黎索爾邦大學，是一位埃及歷史博士、教授及小說家。 在他十三歲那年，一本有關埃及文明史的書籍正式開啟了賈克對古文明的熱愛。十七歲第一次造訪埃及，他不但深深愛上了這個國度，甚至認為自己有著像是在外漂流數載，終歸故里的感受。也因此造就了他在回法後繼續深造，取得了埃及歷史博士學位。 法國文壇認為他的文學地位，可與大、小仲馬並駕其驅，他寫小說的功力可見其高深。

作者：克里斯提昂．賈克，一九四七年生於法國巴黎。畢業於巴黎索爾邦大學，是一位埃及歷史博士、教授及小說家。 在他十三歲那年，一本有關埃及文明史的書籍正式開啟了賈克對古文明的熱愛。十七歲第一次造訪埃及，他不但深深愛上了這個國度，甚至認為自己有著像是在外漂流數載，終歸故里的感受。也因此造就了他在回法後繼續深造，取得了埃及歷史博士學位。 法國文壇認為他的文學地位，可與大、小仲馬並駕其驅，他寫小說的功力可見其高深。